| 1. | The express of aesthetic object in li qing - zhao ' s poetry
试论李清照词的审美客体化 |
| 2. | On interactive subjectivity of aesthetic object of the artistic work
论作为艺术作品的审美对象的交互主体性 |
| 3. | The aesthetic characteristics of the academic thesis as aesthetic object
作为审美客体的学术论文的审美特征 |
| 4. | On the relationship between the aesthetic subject and the aesthetic object in the creation of contemporary poems
论当代诗歌创作中审美主体与客体的关系 |
| 5. | For literature , the influence mainly shows that the instrument and music had become the aesthetic object and the motif of literary creation
对文学而言，此种影响主要表现为乐器和音乐进入当时人们的审美视野，成为文学创作的题材。 |
| 6. | Analysis the linear leisure space and dynamic landscape as aesthetic object from essential factor , form and structure , and space - time , to discuss the principle of it
通过对作为审美客体的线性休闲空间与动态景观的要素、形体和时空三个方面的解析，探讨线性休闲空间与动态景观创造的原则，以构成对休闲行为的支持。 |
| 7. | The new practical - creative aesthetics stresses the relationship between man and reality in regard to aesthetic objects , the constant creation of beauty in regard to aesthetic essence , the contradictory unity on multi - levels in regard to aesthetic perception , and the revelation of the historical shift of positions of beauty and ugliness in regard to the form of beauty
蒋孔阳的新实践创造美学主要在美学对象上突出人对现实的审美关系、在美的本质上强调美在恒新恒异的创造中，在美感上着重多层次的矛盾统一，在美的形态上揭示了美与丑在历史发展中的地位转化。 |
| 8. | The artistic anthropologist have expanded the situation connotation , valuing situation historical culture connotation , emphasizing the combination characteristic of aesthetic subject , aesthetic object and aesthetic environment in specific situation , thus causes the aesthetic research and human ' s research union , and moves towards thoroughly in the multi - dimensional research
艺术人类学者扩展了情境的内涵，重视情境的历史文化内涵，凸现审美主体、审美客体与观审环境在具体情境中的组合特征，从而使美感研究与人的研究结合，并在多维研究中走向深入。 |
